sam k : photo

"All photographs are accurate; none of them is the truth."

bbook:

Marina Abramovic meets Ulay

“Marina Abramovic and Ulay started an intense love story in the 70s, performing art out of the van they lived in. When they felt the relationship had run its course, they decided to walk the Great Wall of China, each from one end, meeting for one last big hug in the middle and never seeing each other again. at her 2010 MoMa retrospective Marina performed ‘The Artist Is Present’ as part of the show, a minute of silence with each stranger who sat in front of her. Ulay arrived without her knowing it and this is what happened.”

This is amazing.

WHEN THEY FELT THE RELATIONSHIP HAD RUN ITS COURSE, THEY DECIDED TO WALK THE GREAT WALL OF CHINA, EACH FROM ONE END, MEETING FOR ONE LAST BIG HUG IN THE MIDDLE AND NEVER SEEING EACH OTHER AGAIN.

THAT IS HOW YOU DO IT.

I invited him to the performance because we shared 12 years of work, but I had no idea he was going to sit. So when he sat in front of me it was really so emotional, everybody could see because it was reflecting everything we went through together. In one of our performances, “The Night Sea Crossing,” we sat across from each other and he could not do it and I could. That’s why I replaced him with the public. I didn’t think he would ever sit in the chair opposite me, so when he did, I broke all the rules. I just thought that in that place at that moment there were no rules. I just needed to hold his hand and feel togetherness in that moment, which was very emotional.

(Source: carlosbaila)

One of my favy kitties

(Source: twitter.com, via is-anyone-up)

Go Beyond The Cover: Behind the Scenes (by DermablendPro)

Had we but world enough, and time,
This coyness, lady, were no crime.
We would sit down and think which way
To walk, and pass our long love’s day;
Thou by the Indian Ganges’ side
Shouldst rubies find; I by the tide
Of Humber would complain. I would
Love you ten years before the Flood;
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires, and more slow.
An hundred years should go to praise
Thine eyes, and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, lady, you deserve this state,
Nor would I love at lower rate.

But at my back I always hear
Time’s winged chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found,
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long preserv’d virginity,
And your quaint honour turn to dust,
And into ashes all my lust.
The grave’s a fine and private place,
But none I think do there embrace.

Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may;
And now, like am’rous birds of prey,
Rather at once our time devour,
Than languish in his slow-chapp’d power.
Let us roll all our strength, and all
Our sweetness, up into one ball;
And tear our pleasures with rough strife
Thorough the iron gates of life.
Thus, though we cannot make our sun
Stand still, yet we will make him run.


To his Coy Mistress
by Andrew Marvell

bohemea:

Emilia Clarke - Nylon by Nicholas Ong, September 2011
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bohemea:

Emilia Clarke - Nylon by Nicholas Ong, September 2011

(via sleepingtodreeam)

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